Alesis Studio Interface MasterControl Manual de usuario

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Indice de contenidos

Pagina 2

8 (C) DAW CONTROL: MULTI-FUNCTION KNOBS 312 1. TEMPLATE OVERLAY – Place the long plasticized overlay (included) that matches your currently sel

Pagina 3 - TABLE OF CONTENTS

9 (E) DAW CONTROL: ASSIGNABLE BUTTON BANKS 1. TEMPLATE OVERLAY - Place the short plasticized overlay (included) that matches your currently sele

Pagina 4 - INTRODUCTION

10 2. DIRECT MON LEVEL – This knob raises or lowers your entire direct monitor mix. This allows you to blend your direct monitor signals with the

Pagina 5 - MAC OS X

11 4. EDIT – In Edit Mode, you can change the assignments for the A and B banks of the ASSIGNABLE buttons – a total of 16 assignable functions. Up

Pagina 6 - REAR PANEL FEATURES

12 CONFIGURING YOUR DIGITAL AUDIO WORKSTATION SOFTWARE FOR USE WITH THE MASTERCONTROL Once your MasterControl is connected to your computer, th

Pagina 7

13 CUBASE AND NUENDO SETUP: SELECTING THE AUDIO DRIVER (WINDOWS ONLY) This discussion addresses Cubase. Nuendo setup is similar. 1. From t

Pagina 8 - TOP PANEL FEATURES

14 CUBASE AND NUENDO SETUP: CONTROL SURFACE (MAC AND WINDOWS) 1. Again from the menu bar, go to Devices f Device Setup… 2. Click

Pagina 9 - (B) DAW CONTROL: CHANNELS

15 3. Under Remote Devices f Mackie Control, select “Alesis FireWire” from the MIDI Input and MIDI Output drop-down menus. 4. Press “OK” to acc

Pagina 10 - (D) DAW CONTROL: TRANSPORT

16 6. In this first tab labeled “Inputs,” you can decide which of the MasterControl’s channels will be routed to the Cubase’s inputs. Click the en

Pagina 11

17 8. If you want, you can rename channels by clicking on the entry under “Bus Name.” This is useful for keeping track of which instrument is on

Pagina 13 - (Enter to save)

18 2. Click the MIDI/Sync tab. Select “MackieControl” from the Control Surface drop-down menu, and select “Alesis FireWire” for the corresponding

Pagina 14

19 4. Click “Input Config.” In the window that appears, select the inputs from the MasterControl that you want to be sent to the DAW, then click “

Pagina 15 - (WINDOWS ONLY)

20 6. Close the Preferences window. 7. From the menu bar, go to Insert f Audio Track. 8. Be sure the circular button on the right-hand side of th

Pagina 16 - WINDOWS)

21 11. Underneath “Monitor,” select the monitoring configuration you want. “Auto” will monitor the channel when it is “record-armed” or recording.

Pagina 17

22 CAKEWALK SONAR SETUP 1. From the menu bar, go to Options f Controllers/Surfaces. 2. Click the button with the “star” icon to add

Pagina 18

23 4. From the menu bar, go to Options f Audio…” 5. Click the “Advanced” tab. Select “ASIO” as the “Driver Mode.” Most users will find that

Pagina 19 - ABLETON LIVE SETUP

24 6. On the “General” tab, select any available MasterControl channels as the “Playback Timing Master.” We recommend “ASIO Alesis FireWire Master

Pagina 20

25 8. Move to the “Drivers” tab. Click on each input pair and also on the output pair to make them available to Sonar. The available input channe

Pagina 21

26 LOGIC PRO SETUP 1. From the menu bar, go to Logic Pro f Preferences f Control Surfaces f Setup. 2. Click on “New” and select “Install” from

Pagina 22

27 3. Select “Mackie Designs > Mackie Control > Logic Control” from the list, and click “Add” at the bottom-right. Close the window. 4. S

Pagina 23

TABLE OF CONTENTS INTRODUCTION ...

Pagina 24 - CAKEWALK SONAR SETUP

28 SAMPLITUDE SETUP 1. From the menu bar, go to MIDI f MIDI Options f System Options f Hardware Controller. 2. Click the “Add New” button and se

Pagina 25

29 AUDIO INPUTS AND OUTPUTS  Channels Sent from the MasterControl to the Computer The FireWire port sends every available individual MasterCo

Pagina 26

30 WINDOWS AUDIO CONFIGURATION CHOOSING THE MASTERCONTROL AS YOUR DEFAULT AUDIO DEVICE To use your MasterControl as your default Windows sound d

Pagina 27

31 DISABLING WINDOWS SYSTEM SOUNDS Windows System Sounds – the sounds that Windows plays to signal starting up, shutting down, alerts and so forth

Pagina 28 - LOGIC PRO SETUP

32 ALESIS FIREWIRE CONTROL PANEL (WINDOWS) Open the Alesis Firewire Control Panel from the shortcut on your Desktop, the Programs menu, or from wi

Pagina 29

33 4. Adjusting the sample rate: You can change the sample rate that the MasterControl uses in this area. Some audio programs require that you cha

Pagina 30

34 MAC AUDIO CONFIGURATION AUDIO MIDI SETUP On Mac, after you install the drivers, open the Audio MIDI Setup utility. Choose “Alesis Firewire”

Pagina 31 - AUDIO INPUTS AND OUTPUTS

35 ALESIS FIREWIRE CONTROL PANEL (MAC) On Mac, buffer sizes are controlled by individual applications, and clocking and sample rates are set in Au

Pagina 32 - WINDOWS AUDIO CONFIGURATION

36 GLOBAL MENUS Press the GLOBAL button to edit the MasterControl’s configuration, including where you want to route which channels, talkback and

Pagina 33

37  Direct Monitoring When the MasterControl’s Direct Monitoring function is enabled, the signal you are hearing is taken directly from the

Pagina 34 - 1 2

2 INTRODUCTION Congratulations on your purchase of the Alesis MasterControl! The MasterControl is Alesis’s most advanced computer recording p

Pagina 35

38  Factory Reset Activating a Factory Reset will restore all default settings and Preset configurations. If you want to reset, select “

Pagina 36 - MAC AUDIO CONFIGURATION

39 MONITORING & CONTROL ROOM FEATURES  Speakers / Outputs Controls The SPEAKERS / OUTPUTS buttons allow you to monitor the MasterContro

Pagina 37

40 DIRECT MONITORING The MasterControl contains a hardware-based, DSP mixer which enables you to route the inputs to the outputs directly, bypassi

Pagina 38 - GLOBAL MENUS

41 CREATING A CUBASE LE PROJECT FOR RECORDING Once you have set up Cubase to work with the MasterControl, you’re ready to create an audio project.

Pagina 39

42 4. Now, you have a blank project. Add an audio track for recording by choosing Project f Add Track f Audio. 5. Be sure that the “inspector

Pagina 40

43 6. Choose an input for your track by selecting it from the drop-down menu of available inputs. By default, the input will be the first stereo b

Pagina 41

44 IMPORTANT POINTS FOR USERS OF VARIOUS DAWS When using the MasterControl with various Digital Audio Workstations (DAWs), you will find the contr

Pagina 42 - DIRECT MONITORING

45 LOGIC PRO y Ensure that you choose a “Mackie Control” control surface. The “Logic Control” control surface uses a different set of MIDI messa

Pagina 43

46 DIGITAL PERFORMER y Row 2 of the MasterControl is not mapped. y Vertical Zoom is not possible from the MasterControl. y MasterControl’s ZOOM

Pagina 44

47 PRO TOOLS y JOG is unavailable in Pro Tools. This is a limitation of the HUI protocol used by Pro Tools. Pressing the SCRUB button puts the

Pagina 45

3 FIRST THINGS FIRST: DRIVER INSTALLATION If your computer has Internet access, go to http://www.alesis.com/mastercontrol. It’s possible tha

Pagina 46

48 PLUG-IN 1, 2 y These presets are designed to control virtual instruments and effects plugins. If you are using a virtual instrument within a

Pagina 47 - SAMPLITUDE

49 SIGNAL FLOW DIAGRAM

Pagina 48 - ALESIS HD24 / HD24XR

50 SPECIFICATIONS  Microphone preamplifier Gain range: +9.1dB to +59.2dB Impedance: 3.67K @ min gain; 3.33K @ max gain  Line preamplif

Pagina 49 - SOUNDTRACK PRO

51 TRADEMARKS All trademarks are the property of their respective owners. Specifically: “MasterControl” is a trademark of Alesis, LLC. “Soundt

Pagina 53 - DEMO MATERIALS

4 REAR PANEL FEATURES 1 12 23 3455 5 555 5 556 6 656 6 677 89 910 10 10 11 11 1213 1. MIC / LINE INPUTS – These two inputs can accept microphone

Pagina 54

5 8. FOOTSWITCH – You may connect a remote footswitch to this jack. This can operate either as a control option surface or as a toggle switch to t

Pagina 55

6 TOP PANEL FEATURES This section breaks down the control surface into its functional areas. The area being discussed is shaded in the accompanyi

Pagina 56

7 (B) DAW CONTROL: CHANNELS 561 243333 1. CHANNEL FADER – Use this 100mm, touch-sensitive fader to adjust the volume levels of each channel. T

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